70km southwest of Danang City and 40km away from the Ancient Town of Hoi
An, a large complex of religious relics that comprises more than 70
architectural works is a popular destination for those who appreciate
architecture, history and pure spectacle. Known as My Son (Vietnamese:
Mỹ Sơn), the group of temple-towers that connect to each other with
complicated red brick designs is a proud display of the evolution of
Vietnam’s culture and a foremost evidence of Asian civilization which is
now extinct. My Son Sanctuary is a large complex of religious relics,
of which, the main component of the Cham architectural design is the
tower, built to reflect the divinity of the king. It is located in a
narrow valley in Duy Tan Commune, Duy Xuyen District of Quang Nam
Province. It nestles in a town found at the end of a bumpy road through
tropical jungle. The beautifully carved stone sculptures and the ruins
of old buildings reveal mysteries up to 1500 years old. As one of the
religious center and capital of the ancient Champa Kingdom, it is a
significantly sacred site. It emerged during the 2nd century in the area
around Danang. Through commercial and religious associations with
India, the Champa kingdom quickly developed a strong affinity for Indian
culture, borrowing Hinduism and the Sanskrit alphabet, as well as
Indian architectural and artistic tastes. According to records on the
stone stele, the prime foundation of the ancient My Son architectural
complex was a wooden temple to worship the Shiva Bhadresvera genie. In
the late 16th century, a big fire destroyed the temple but was rebuilt.
Aside from religious celebrations, which allowed the dynastic royals to
spiritually connect with the gods, My Son was also the political
capital, a cultural centre and was the burial place for Cham monarchs.
For many centuries the Champa kingdom existed as an independent entity,
warring constantly with the Vietnamese to the north and the Khmer to the
west. The kingdom endured until the 17th century when it was absorbed
by Vietnam. Most of the temples were dedicated to Cham kings associated
with divinities, particularly Shiva, who was regarded as the founder and
protector of Champa’s dynasties. Treasures within a Treasure
The Vietnam-American War caused the region to be completely devastated
and depopulated. American bombs have reduced many of the towers to
ruins, but they failed to destroy about 20 of them. Thus, there’s still
plenty to see. In fact, Vietnam has better preserved Cham sites on other
parts of the country. But probably why My Son remains to be the most
popular is because of the remarkably beautiful surroundings where it is
nestled in – a verdant valley surrounded by hills and overlooked by
Cat’s Tooth Mountain (known Hon Quap). Clear streams also run between
the structures and past nearby coffee plantations. Standing in the
middle of this sanctuary, tourists will have the chance to better
understand the ancient Champa Kingdom and its architectural works. The
site was constructed by the King of Champa between 4th and 12th
centuries for worship. The remains of sculptural and architectural
remnants from the war are masterpieces that mark a glorious time for the
architecture and sculpture of the Cham as well as Southeast Asia. These
ruins represent a series of constructions over many centuries. Judging
from the surviving structures, the Champa kingdom were predominately
Hindu, and Shivaist at that. In the temple cities of My Son lies lingams
that symbolizes both the cult of Shivaism and also of the divine
authority of kingship. Each historical period has its own identity, so
that each temple worshipping a genie or a king of a different kingdom
has its own architectural style full of different impression. Each
period of history, a particular architecture would be observed.
Generally, the Champa temple towers were built on hills, a strategic
site to survey the surrounding area. Principally, however, these
locations were chosen because they were regarded as the focus of magic
powers, especially suitable for meditation and religious observance. Getting there When leaving from Hanoi,
tourists board a train to Danang station, and from there, take a bus or
a car to My Son. February to April is known to be the best time to plan
trip to My Son since rainfall is not plentiful and the temperature is
comfortable. Upon reaching My Son, a brief visit to the museum before
visiting the temples would make the trip much more worth it. Hiring a
car costs around USD$20, quite a lot pricey compared to taking the bus
or mini-bus which is just less than $5. However, the option of hiring a
car allows one to take the trip in his own pace, take as many occasional
stops for photos, breathers or choose to get there ahead of everyone.
Bus or minibus rides to My Son can be organized by travel agencies or
even the hotel where you are booked. Only, you have to be there at the
set time, of which most trips depart at 8am and return at 1pm. A day
trip includes a stop-off at Tra Kieu. At less than $5, it sure is an
incredible deal. There are travel agencies that offer land trip to My
Son, but allow them the option of returning by boat. That adds a couple
of extra hours to the trip. It would cost a couple of extra dollars as
well, but the views make the extra hours and cost so much worth it. Plan your next Trip
My Son is considered to be a smaller version of other preserved Champa
civilizations like the Angkor in Cambodia, Ayu-thaya of Thailand, Bagan
of Myanmar and Borobudur in Java. But the complete package of mystical
towers surrounded by breathtaking views makes it extremely popular for
sightseeing in Vietnam for both foreign and domestic tourists. You can
take a little preview of what you will encounter at My Son by coming by
the Cham Architecture Museum in Danang. After the My Son ancient tower
complex was discovered, many of its artifacts, especially statues of
female dancers and genies worshipped by the Cham people, worship animals
and artifacts of the daily communal activities, were collected and
displayed there. Today, Vietnamese authorities are attempting to restore
as much as possible of the remaining sites. The beauty of My Son would
be more complete if not for the destruction caused by the decades-old
war. But it holds so much historical and cultural value, for which, the
complex was recognized as a World Heritage Site by UNESCO in December
1999. Indeed, there may not be so many remnants left like its bigger
counterparts in its neighboring countries, but those that remain display
the typical sculptural works of cultural value of the Cham nationality.
Furthermore, they are vivid proof, confirming the history of a
nationality living within the Vietnamese community boasting of a rich
cultural tradition. Come and visit the My Son Sanctuary and discover the
ancient Champa Kingdom.
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